白蛇传许仙救白素贞

四星半非常平易近人的新现实主义不全是苦痛的展示白蛇传许仙救白素贞也不是不加戏剧性处理的现实主义手法中间夹杂着不知算喜或算悲的逗笑情节是一种流着眼泪笑嘻嘻的底层人民生活展示然而最后的基调又意想不到地绝望如果说前面的戏剧性减弱了电影的魅力那这些缺憾都被最后一场戏的戏剧性、悲剧性弥补

In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.

尽皆疯狂之后要追求的还是做主播~结局是李焕英式反转白蛇传许仙救白素贞还是有点催泪的~

我竟然 看的哭了作为80后是不是我还没长大呢

色彩太棒了这才是大片黑泽明的又一部莎剧主题与《白蛇传许仙救白素贞》差不多仲代达矢在黑泽明电影里的角色都这么苦逼o(╯□╰)o